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Blade by Blade

ebook
1 of 1 copy available
1 of 1 copy available

Blade by Blade is an unflinching field journal of grief, loss, and discovery set against the California wilderness.

Danusha Laméris's third book, Blade by Blade, is a book of hungers: Hunger for the bright glare of poppies, for the hidden name of the beloved, for the cracked continental edge, for all we keep in "the heart's farthest chambers." Seeking a way back to joy following the deaths of her son and brother, the poet finds wonder in the furred legs of a caterpillar, in egrets, elephants, and elk, solace in the seagull's speckled egg. Here we taste a longing to kiss in the dark corner of the gym, to leap into a volcano's molten fire, to be unraveled, undone thread by thread, made one with all things. Microscopic and tidal, earthquake and fire-prone, Blade by Blade thrives in the underbrush of human emotion. These poems are luminous missives tossed on the wind asking us to re-enter the world we've forsaken, to set foot, as if for the first time, on the green earth and begin again.


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    • Publisher's Weekly

      Starred review from November 18, 2024
      This elegiac outing from Laméris (Bonfire Opera) is a testament to indelible love, offering a maelstrom of memory that briefly resurrects those she mourns. In the aftermath of losing her home, she prevails over despair through greater resolve: “my brother died,/ but I’m living twice—no, three times—for me, for him,/ and for my son.” With this magnanimity of spirit, her poems demonstrate a foundation of awe, curiosity, and reverence. She asks, “what if we remembered the shy soul/ in everything...// underdress the world, get close/ to its shiver, rock and spore, river/ and bark, the dandelion’s naked stem.” Through small reveries, the reader is called to mourn beside the poet. The day her son’s organs are harvested, she is greeted by the faint approach of bees breaking a placid silence: “a song/ of arrows—and all at once, I saw them, the one body/ they made, a kinetic cloud at the window,/ those wound-givers, honey-makers.” Wading through the bittersweet, she recalls her brother naming his plants after jazz musicians (Miles, Coltrane, Billie, Mingus, Cassandra) and nurturing them like kin. Wielding a gift for imagery and threaded with philosophical acuity, Laméris’s voice is incomparable.

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  • English

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