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ELADATL

A History of the East Los Angeles Dirigible Air Transport Lines

ebook
1 of 1 copy available
1 of 1 copy available

A breathtaking free fall into the long-buried (and fictional) history of a utopian era in American lighter-than-air travel, as told by its death-defying, aero-acrobatic heroes.

"Foster and Romo's 'real fake dream' of the future-past history of the East Los Angeles Dirigible Air Transport Lines is a superb and loving phantasmagoria that gobbles up real histories for breakfast and spits out the seeds."—Jonathan Lethem, author of Motherless Brooklyn

In the early years of the twentieth-century, the use of airships known as dirigibles—some as large as one thousand feet long—was being promulgated in Southern California by a semi-clandestine lighter-than-air movement. Groups like the East LA Balloon Club and the Bessie Coleman Aero Club were hard at work to revolutionize travel, with an aim to literally lift oppressed people out of racism and poverty.

ELADATL tells the story of this little-known period of American air travel in a series of overlapping narratives told by key figures, accompanied by a number of historic photographs and recently discovered artifacts, with appendices provided to fill in the missing links. The story of the rise and fall of this ill-fated airship movement investigates its long-buried history, replete with heroes, villains, and moments of astonishing derring-do and terrifying disaster.

Written and presented as an "actual history of a fictional company," this surrealist, experimental novel is a tour de force of politicized fantastic fiction, a work of hybrid art-making distilled into a truly original literary form. Developed over a ten-year period of collaborations, community interventions, and staged performances, ELADATL is a furiously hilarious send-up of academic histories, mainstream narratives, and any traditional notions of the time-space continuum.

"Poet Foster (Atomik Aztex) and artist Romo deliver a maddeningly accomplished inquiry into the secret history of East Los Angeles. . . . This is as much fun to read as it must have been to make."—Publishers Weekly, Starred Review

"One of the wildest, most creative and deeply-cutting novels I've read in years, a genuine piece of newness in both content and form. To wade through this surreal narrative archeology is to experience, in the finest sense, literature as fever dream."—Omar El Akkad, author of American War: A Novel

"Visionary, hilarious, anarchic, this assemblage of breakneck dialog, blisteringly brilliant film criticism, bureaucratic documents, revolutionary chatter, mass transit, and fake dreams of the secret police, is the counterfactual novel to beat all counterfactual novels."—Mark Doten, author of Trump Sky Alpha

"Hilarious and prophetic and profound, truer than truth, and realer than all realities currently available for purchase, ELADATL is strong medicine against the erasures of history, a mega-vitamin for struggles yet to come. This book combats despair."—Ben Ehrenreich, author of Desert Notebooks: A Road Map for the End of Time

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    • Kirkus

      February 15, 2021
      Testimonies, recordings, letters, and photographs tell the surreal stories of a dirigible network that might have existed in Los Angeles. Although presented as a novel, this book is made up of stories and photographic exhibits connected by the workers, passengers, and observers of ELADATL, the (fictional) East Los Angeles Dirigible Air Transport Lines, and "the secret history of Los Angeles." Co-authors Foster and Romo "use imaginary futures to attack the desolated present," and their project revels in multiplicity and contradiction. In some stories, ELADATL is an operating concern, in others it might consist of nonfunctioning zeppelin props for a proposed movie. In the final story before the lengthy appendices, characters seem to emerge from a post-apocalypse into a modern-day political rally. Despite the book's unfettered imagination and its admirable commitment to "marginalized and disappeared peoples" lost to contemporary capitalism, much of the book is a chore. The numerous documents and various narrators all sound alike, and there's an unfortunate tendency toward repetition. Too often, the book feels like a cryptic private joke or an extended exercise in Dadaist uncertainty, as in the chapter consisting solely of nonsense quotes attributed to figures as diverse as Raquel Welch, Smokey the Bear, and King Kong. A recipe attributed to Ulysses S. Grant is also included. There's real wonder and humor here but also tedium and excess. Imagination, originality, and idealism can't keep this book aloft under the weight of its own indulgence.

      COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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