Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.
In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence.
With a "kindhearted heroine we all need right now" (Courtney Maum, New York Times bestselling author), Everyone in This Room Will Someday Be Dead is a crackling and "delightfully weird reminder that we will one day turn to dust and that yes, this is depressing, but it's also what makes life beautiful" (Jean Kyoung Frazier, author of Pizza Girl).
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Creators
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Publisher
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Release date
July 6, 2021 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781797123356
- File size: 223967 KB
- Duration: 07:46:35
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Languages
- English
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Reviews
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Publisher's Weekly
May 3, 2021
Runaway humor sustains an otherwise grim story in Austin’s exuberant debut. After a car accident in which 27-year-old Gilda breaks her arm, she visits an emergency room where she’s a frequent patient, then responds to an ad offering free mental health support at a church. There, a priest mistakes her for a job applicant, and she doesn’t correct him. After the interview, Gilda accidentally becomes a receptionist, taking over for the late Grace Moppet, who may have been the victim of a homicidal nurse. As the receptionist, Gilda rapidly falls prey to impostor syndrome, a problem she faced during her last job as a bookseller (“I didn’t really get 1984 and... I hate poetry”). Meanwhile, Gilda, an atheist and a lesbian, makes awkward attempts to masquerade as a good Catholic, mistaking communion wafers for crackers, trying to understand hymns, catechism, baptism, and the blessed sacrament of confession. The plot thickens as Gilda responds to emails from one of her predecessor’s friends as Grace. What starts out as genuinely bleak affair, with a depressed Gilda considering suicide, becomes a brisk story underpinned by a vibrant cast. Fans of Helene Tursten’s An Elderly Lady Is Up to No Good will find much to enjoy. -
AudioFile Magazine
Narrator Emily Tremaine's somber, contemplative tone is well suited to the author's angst-ridden, frustrated protagonist, Gilda. When she takes a job as a church secretary, she becomes engrossed in the correspondence and mysterious death of her predecessor, Grace. Gilda begins leading a double life, concealing where she works from confused friends and family while attempting to hide that she's an atheist and a lesbian from her new colleagues. Tremaine's pacing and delivery capture Gilda's mounting anxiety as she spirals out of control, becoming increasingly preoccupied with death and disaster as her life crumbles around her. Tremaine's characterizations bring heart to Gilda's well-meaning co-workers, complex family members, and unique friendships. K.S.B. © AudioFile 2021, Portland, Maine
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