Life

September 19, 2011
Peet’s ambitious novel attempts to tie the story of two British teenagers’ ill-fated romance to the 1962 Cuban missile crisis. At age 16, Clem Ackroyd, the intelligent son of working-class parents, falls hard for Frankie, the rich daughter of Clem’s father’s boss. Though the main thread involves Clem and Frankie’s increasingly frisky sexual behavior, Peet’s sweep is both parochial and vast, with attention paid to Ackroyd family genealogy and to tracing the post–WWII geopolitics that brought the U.S. and Soviet Union to the brink of nuclear annihilation. The history lessons, linking the showdown over Cuba with Clem’s urgent attempts to lose his virginity before the world is blown to smithereens, are an uneasy fit, and clarity suffers a bit from narration that hopscotches from Clem’s first-person account to a third-person voice. There are some sharply observed scenes involving Clem and his parents, though the dialogue is written in a regional British vernacular that readers may find difficult to parse. The denouement is heartbreaking, as the young lovers finally satisfy their longing but pay a horrifically high price. Ages 14–up.

Starred review from September 1, 2011

A coming-of-age story framed by some of the most terrifying events of the last 60 years, from World War II to 9/11.

Peet achieves what few writers for young adults have: a bold venture that spans generations against a backdrop of war and global politics and their effect on individual lives, while describing minute facets of those lives in intimate, cinematic detail. Clem came unexpectedly into the world, a "wartime mishap," whose premature birth was brought on by a German air raid over rural England. A smart, working-class boy with a talent for drawing, Clem attends school on scholarship. In defiance of the local prohibition against "getting Above Yerself," Clem falls in love with Frankie, the daughter of a wealthy man bent on bulldozing his land into a prairie. In delicious and often humorous meanderings through time and place, the author adroitly intertwines the brinkmanship of the Cold War and the Cuban Missile Crisis with the teenagers' secret romance. His narrative glides easily from Clem's first-person retrospective to third-person storytelling from several points of view, including Kennedy's and Krushchev's.

Sophisticated teens and adults will appreciate this subtle yet powerful exposition of the far-reaching implications of war. (Fiction. 14 & up)

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

Starred review from September 15, 2011
Grades 9-12 *Starred Review* Peet's arresting new novel begins in the destruction of WWII and ends in the explosive devastation of 9/11. In between, young Clem and his girlfriend, Frankie, find themselves de facto combatants in another conflict: England's class war. Frankie, a child of privilege, is the daughter of the wealthy landowner for whom Clem's father works. Peet breathes new life into this old story with the urgency of the two teens' attraction for each other and their terrible need for secrecy. In a separate plotline, the Cuban missile crisis is about to boil over, and in a bold move, Peet takes readers across the Atlantic and into the White House, making President Kennedy and his staff characters in the novel. Peet writes with a white hot fury at the idiocy of both America and Russia, and the political story is as beautifully written as that of Clem and Frankie. As he did in Tamar (2007), Peet again defies the rules of YA fiction. Many of his major characters are adults; in fact, the story is told in retrospect by an adult Clem. Without one iota of sentimentality, Peet creates an explosive world where love is frowned upon and the past has bloody teeth and bad breath. It is a world that demands deep examination and thought, and Peet has done a splendid job of creating it.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

January 1, 2012
In this story spanning 1945 through the present, Clem Ackroyd tells of his clandestine relationship with upper-class Frankie Mortimer. While in 1962 Clem and Frankie move ever deeper into love, the Americans and Russians are facing off--a backdrop that charges the book's plot and themes. Peet's subtle, literary play with narrative voice, style, and chronology makes this a satisfyingly sophisticated novel.

(Copyright 2012 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from November 1, 2011
In this fictional memoir, which spans the years 1945 to the present, Clem Ackroyd tells the story of his working-class origins and postwar Norfolk upbringing and, especially, his clandestine relationship with Frankie Mortimer, upper-class daughter of the local landowner. While in 1962 Clem and Frankie move ever deeper into love and lust, the Americans and Russians are facing off over Castro, Cuba, and nuclear missiles -- a backdrop, metaphor, and historical event that charges the plot and themes of Peet's story. This is mesmerizing through the sheer force and liveliness of its prose, as well as its unpredictable, inexorable plot. Peet's gift for imagery ("the morning rain had wandered off like a gray cat bored with a kill" or "[he had a] smile like a bad set of dentures shoved into a steamed pudding") makes the novel fizz with the intensity of an adolescent's heightened perceptions -- in which everything is live, and even boredom is an all-engrossing activity. Place, period, and adolescent passion all come through with exuberant feeling and humor ("Chapter 25. You Learn Nothing about Sex from Books, Especially If They're by D. H. Lawrence"); Peet's subtle, literary play with narrative voice, style, and chronology make this a satisfyingly sophisticated teen novel. Outstanding. deirdre f. baker

(Copyright 2011 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from October 1, 2011

Gr 9 Up-Peet's brilliant, ambitious novel bridges the years between World War II and the 9/11 terrorist attacks on New York City, but at its heart is a star-crossed affair set during the Cuban Missile Crisis. The titular life is that of 17-year-old Clem Ackroyd, a working-class boy living in British government-assisted housing. The object of his lust, 16-year-old Frankie Mortimer, resides in ritzy Bratton Manor. Despite their class differences, Clem and Frankie launch a torrid (and top secret) romance, engaging in some eyeball-melting make-out/groping sessions wherever and whenever possible. As the threat of nuclear annihilation grows, Peet effectively juxtaposes the tension surrounding Cuba with the increasingly sexual relationship between the lovers: "I absolutely refuse to die a virgin," bemoans Frankie at one point. Peet's immediate writing style brims with fine detail, from the "cigarette and strawberry juice" tastes of the couple's first kiss to Frankie's train compartment that "smelled of fart and smoke." While much of the narrative consists of Clem's point of view, an omniscient narrator occasionally takes readers into the minds of Frankie and several villagers, and into the respective war rooms of the U.S. and Russia. The horrific ramifications of war are implicitly stated, but not in a heavy-handed way. Recommend this memorable novel to mature teen readers, and if you can wrest away a copy, read it yourself.-Sam Bloom, Groesbeck Branch Library, Cincinnati, OH

Copyright 2011 School Library Journal, LLC Used with permission.