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Under-Earth

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The inmates of an extensive underground prison struggle to build meaningful lives in a broken system, in the most ambitious graphic novel to date from rising indie star Chris Gooch (Bottled and Deep Breaths). Under-Earth takes place in a subterranean landfill, hollowed out to serve as a massive improvised prison. Sunken into the trash and debris of the past—Gameboys, iPhones, coffee cups, old cars—we follow two parallel stories. In the first, a new arrival struggles to adapt to the everyday violence, physical labor, and poverty of the prison city. Overwhelmed and alone, he finds a connection with a fellow inmate through an old, beat-up novel. While these two silent and uncommunicative men grow closer thanks to their book, the stress of their environment will test their new bond. Meanwhile, a pair of thieves pull off a risky job in exchange for the prisons' schematics and the promise of escape—only to be betrayed by their employer. On the run with their hope for escape now gone, the two women set their minds to revenge. Yet as they lay their plans, their focus shifts from an obsession with the outside world to the life they have with each other. Equal parts sincerity and violence, Under-Earth explores humanity's inextinguishable drive to find meaning, connection, and even family—and how fragile such constructions can be. Author: Chris Gooch. Illustrator: Chris Gooch. Under-Earth © Chris Gooch
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    • Publisher's Weekly

      November 2, 2020
      Gooch (Bottled) delivers a claustrophobic tale of brutality, survival, and betrayal in a world where humanity must persist in the harshest conditions. In a toxic prison built inside a subterranean landfill, prisoners sift through debris to make a living. (“You work or you starve. Nobody cares either way.”) Reece, a new arrival, struggles to adapt, and connects with Malcolm, a towering fellow inmate who offers him unusual friendship—until the hostile environment puts their friendship to the test. When a gang beats up Reece, he looks to his friend for help—only to be let down. Later, Reece gives up Malcolm to the predators, who sell him into an illegal fighting ring. Meanwhile, two women navigate the underworld and take on a job that might get them out, but their employer betrays them. Desperate and wounded, they plot their revenge. These two threads unspool in alternating chapters as the spare drawings linger on acts of violence, with brilliant red blood set against muted shades of black and yellow. The hyper-grim focus amplifies the significance of every act of kindness, making those moments surprisingly moving. Told with superb rhythm, this pitch-perfect thriller gets dystopia down right.

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