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Murder in the News

An Inside Look at How Television Covers Crime

ebook
1 of 1 copy available
1 of 1 copy available
A veteran, Emmy Award-winning TV news anchor provides a unique insider glimpse into the newsroom revealing how murder cases are selected for TV coverage.
Television news anchor Robert Jordan Jr. draws from forty-seven years of news experiences to provide an eye-opening look at how news programs decide which murders to cover and which ones to ignore. Jordan takes readers behind the scenes into the big city newsrooms of Chicago. Here split-second decisions are made on where to send limited resources when dozens of shootings and several murders are occurring on a daily basis.
Using interviews from decision makers—such as assignment editors and producers—who work daily in the trenches of working newsrooms, the reader learns how they decide where to send reporters; when to dispatch live trucks; and how the stories will be treated as they are placed in the news programming. Why will one story get "breaking news" banners and be placed at the top of the broadcast while others may not make the air at all or may be given casual mention in later segments?
Additionally, Jordan reveals the results of a ground-breaking questionnaire sent to producers and assignment editors at Chicago television stations to assess their rationales for covering murder stories the way they do.
Finally, he examines how the explosion of social media platforms has changed the dynamic of reporting the news and why murders are the perfect stories for television, as news organizations struggle to survive.
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    • Publisher's Weekly

      September 25, 2017
      Veteran Chicago television journalist Jordan doesn’t make effective use of his decades of experience in this investigation into how today’s news media covers violent crime. He wants both future journalists and lay people to better understand how reporters decide “which stories to trumpet and which stories to push to the back pages,” based on editors’ and reporters’ belief that the public is more interested in coverage of crimes with affluent or celebrated victims, or gruesome aspects. But instead of providing a thoughtful analysis of the issue, he offers a repetitive, and sometimes sloppy, review of familiar issues, such as the minimal coverage of gang murders, without offering any new insights (“With so many things going on and resources spread so thin, two or three dead would be necessary to spark the attention of news editors on most busy days”). A section on how Jordan uses social media to personalize his broadcasts by posting photos of himself and his coanchor with a “clever caption” (they receive “thousands of views”) runs contrary to his overall premise that more time should be spent reporting on every murder. With no discussion of information overload or the effectiveness of different types of coverage, this is an overly simplistic account of an important and timely topic.

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Languages

  • English

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