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What God Is Honored Here?

Writings on Miscarriage and Infant Loss by and for Native Women and Women of Color

ebook
1 of 1 copy available
1 of 1 copy available
Native women and women of color poignantly share their pain, revelations, and hope after experiencing the traumas of miscarriage and infant loss

What God Is Honored Here? is the first book of its kind—and urgently necessary. This is a literary collection of voices of Indigenous women and women of color who have undergone miscarriage and infant loss, experiences that disproportionately affect women who have often been cast toward the margins in the United States of America.

From the story of dashed cultural expectations in an interracial marriage to poems that speak of loss across generations, from harrowing accounts of misdiagnoses, ectopic pregnancies, and late-term stillbirths to the poignant chronicles of miscarriages and mysterious infant deaths, What God Is Honored Here? brings women together to speak to one another about the traumas and tragedies of womanhood. In its heartbreaking beauty, this book offers an integral perspective on how culture and religion, spirit and body, unite in the reproductive lives of women of color and Indigenous women as they bear witness to loss, search for what is not there, and claim for themselves and others their fundamental humanity. Powerfully and with brutal honesty, they write about what it means to reclaim life in the face of death.

Editors Shannon Gibney and Kao Kalia Yang acknowledge "who we had been could not have prepared us for who we would become in the wake of these words," yet the writings collected here offer insight, comfort, and, finally, hope for all those who, like the women gathered here, have found grief a lonely place.

Contributors: Jennifer Baker, Michelle Borok, Lucille Clifton, Sidney Clifton, Taiyon J. Coleman, Arfah Daud, Rona Fernandez, Sarah Agaton Howes, Honorée Fanonne Jeffers, Soniah Kamal, Diana Le-Cabrera, Janet Lee-Ortiz, Maria Elena Mahler, Chue Moua, Jami Nakamura Lin, Jen Palmares Meadows, Dania Rajendra, Marcie Rendon, Seema Reza, 신 선 영 Sun Yung Shin, Kari Smalkoski, Catherine R. Squires, Elsa Valmidiano.

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    • Library Journal

      Starred review from October 1, 2019

      Gibney (See No Color) and Yang (The Song Poet) here bring together anecdotes of deep grief and hope. Contributing accounts of multiple losses to single losses, each writer shares a story that is moving and respectful. While most of the narratives are prose, a few poems punctuate the whole. Some writers discuss the impact of racism, both individual and systemic, on prenatal and birth care, while others opt to focus on their more tangible experiences. Though no doubt a challenging event to put into words, each woman's account helps to translate the many emotions that come along with infant loss and miscarriage. Narratives provide depth and detail, allowing readers to connect to one another at their own level and comfort. Highlighting the experiences of Native women and women of color, this collection is both heartbreaking and soothing; any woman who has had a miscarriage or survived infant loss will find plenty of material in which to see themselves. VERDICT A compelling collection that encourages readers to hold writers and their stories, both told and untold, in their hearts with every page.--Abby Hargreaves, Dist. of Columbia P.L.

      Copyright 2019 Library Journal, LLC Used with permission.

    • Kirkus

      September 1, 2019
      A profound collection reflecting the contributors' "claim on [their] lives as indigenous women and women of color who have experienced infant and fetal loss, in its many forms." Though each piece of this collection--edited by Gibney (See No Color, 2015) and Yang (The Song Poet: A Memoir of My Father, 2016, etc.)--shares the common theme of infant mortality, each woman's story grips readers with its individuality and its gut-wrenching pain and sorrow. These tales of loss--from miscarriage, stillbirth, misdiagnosis, ectopic pregnancies, and sudden infant death--all carry the weight of the woman's heartbreak. They also show abundant love and the honor they felt to be pregnant, regardless of the outcome. Some tales are straightforward and read like a medical history while others ponder the spirituality of life and death. Some women still sense the movement of their child inside them, even after having other children. "According to the Center for Disease Control, in the general population of the United States, 15 to 20 percent of pregnant women will experience a miscarriage in their lifetime," write the editors in the introduction. The numbers grow disproportionately higher for women of color, which means that many women will readily empathize with the thoughts and feelings of these talented writers and poets who effectively transform their significant internal pain into inspiring art. The narratives are complex and can produce feelings of tension and anxiety, but that only speaks to the quality of the writing. Their trauma will affect each reader differently, but it's guaranteed that no one will walk away unmoved. "Grief and total desperation joined me to so many women," writes Sarah Agaton Howes, and continues, "they surround me with their stories, their hands, their laughter, their bitterness, and their sheer determination to not die. I came from this legacy of sadness. But I also came from their legacy of survival." A difficult yet important read.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

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