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Dolls! Dolls! Dolls!

Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time

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Since its publication in 1966, Jacqueline Susann's Valley of the Dolls has reigned as one of the most influential and beloved pieces of commercial fiction. Selling over thirty-one million copies worldwide, it revolutionized overnight the way books got sold, thanks to the tireless and canny self-promoting Susann. Turned in 1967 into an international box-office sensation and morphing into a much-beloved cult film, its influence endures today in everything from films and TV shows to fashion and cosmetics tributes and tie-ins.

Dolls! Dolls! Dolls! digs deep into the creation of that hugely successful film—a journey nearly as cut-throat, sexually-charged, tragic, and revelatory as Susann's novel itself—and uncovers how the movie has become a cherished, widely imitated camp classic, thanks to its over-the-top performances, endlessly quotable absurd dialogue, outré costumes and hairdos, despite the high aspirations, money, and talent lavished on it. Screenwriter-journalist-film historian Stephen Rebello has conducted archival research and new interviews to draw back the velvet curtain on the behind-the-scenes intrigue, feuds and machinations that marked the film's production. In doing so, he unveils a rich, detailed history of fast-changing, late 1960s Hollywood, on screen and off.
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    • Publisher's Weekly

      June 8, 2020
      Screenwriter Rebello (Bad Movies We Love) plunges into all aspects of a famously guilty pleasure in this exuberant examination of Jacqueline Susann’s racy tale of sex, drugs, and Hollywood. Rebello recounts Susann’s early experiences as an actress and playwright, and numerous affairs with stars, including Ethel Merman and Eddie Cantor, and the scorn she drew from literary heavyweights, including Truman Capote and Gore Vidal, when Valley of the Dolls, marketed as a scandalous roman à clef of her showbiz career, hit 1966 bestseller charts. Rivaling the book’s salacious plot, the making of the 1967 film version was fraught with drama. Patty Duke, a Hollywood veteran, resented being given second billing to newcomer Barbara Parkins—who, for her part, had pursued Duke’s role, as a Judy Garland–inspired singer. Garland herself was cast as an older performer (in turn inspired by Merman), but the troubled actress was soon replaced by fellow star Susan Hayward. When the much anticipated movie premiered, a combination of projection snafus and the actual film’s “rancid dialogue and over-the-top performances” drew ridicule—yet over time, the film attained cult status in its own right. Anyone seeking nonfiction escapism will be well served by Rebello’s loving dissection of a camp classic’s print and screen incarnations. Agent: Mary Evans, Mary Evans Inc.

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  • English

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